What You Did With It
Warhol contained it. Lou translated it. Iggy let it break through. You did something too
There’s a version of you that felt everything before you knew what to call it.
Not dramatic. Not loud. Just there.
Sitting under your skin, asking for somewhere to go.
Most people don’t lose that.
They just decide what to do with it.
Andy Warhol didn’t get rid of intensity. He contained it.
He built rooms where everything could exist without spilling over. Where people could be strange, sharp, unfinished. But inside a frame. Always inside something he controlled.
Nothing exploded there unless it was allowed to.
That’s one way to live with it.
You don’t deny what you feel.
You just hold it still long enough to make it look intentional.
Lou Reed did something different.
He didn’t contain it. He translated it.
Took what he saw. What he felt. What most people would either bury or dramatize. And flattened it into something you couldn’t argue with.
No performance. No reach.
Just naming it.
“Satellite’s gone up to the sky…”
It doesn’t ask anything from you. It doesn’t try to convince you.
It just sits there. True whether you like it or not.
That’s another way to live with it.
You don’t hide what you feel. You just turn it into something that doesn’t need a reaction.
And then there’s Iggy.
He didn’t contain it. He didn’t translate it.
He released it.
Whatever moved through him didn’t get shaped first. Didn’t get cleaned up. Didn’t get made palatable.
It came out as-is.
Sometimes messy. Sometimes violent. Always real.
That’s the third way.
You don’t manage it. You let it move through you and deal with whatever happens after.
Most people like to think they’re choosing between calm and chaos.
They’re not.
They’re choosing a method.
Contain it.
Translate it.
Release it.
And you’ve already picked one.
You can tell by your life.
By what you don’t say.
By what you turn into something else.
By what leaks out of you when you stop paying attention.
That thing you felt and didn’t act on.
It didn’t disappear.
It got stored somewhere.
Or rewritten into something safer.
Or pushed out sideways where you could pretend it wasn’t the same thing.
That’s the part no one really says out loud.
Intensity doesn’t go away.
It just finds a form that lets you keep functioning.
Contain it long enough and it starts running your life from the inside.
Warhol made it look still.
Lou made it sound clear.
Iggy made it impossible to ignore.
And then there’s you.
You already know which one you are.
You’ve been doing it long enough that it feels like personality instead of a choice.
But it started as a decision.
A quiet one.
What do I do with this?
Most people never revisit that decision.
They just get better at it.
Better at holding it in place.
Better at turning it into something acceptable.
Better at letting it out in ways that don’t cost too much.
But every once in a while, something slips.
And you feel it again the way you did at the beginning.
Unmanaged. Untranslated. Uncontained.
That’s the moment people don’t like.
Because it reminds you that nothing you’ve built actually got rid of it.
You just gave it a shape.
And the question is still sitting there.
The same one it’s always been.
What are you going to do with it.
// Scorpio Veil
A cohesive read on the different expressions of creative fire 🔥 To allow creativity to burn like wildfire is a sweet freedom.
I saw Iggy and the stooges back in 1970/71 at the
rock pile in Island park NY. those were the days